![]() #ROGERS AUDIONOTE INTEGRATED TUBE AMPLIFIER FREE#The amp comes with a billet remote that is a piece of sculpture, and Rogers also includes a microfiber towel with the company on it logo to keep your amplifier free of fingerprints and scratches.įrom the amp’s carbon fiber and rhodium speaker binding posts to the finely machined controls, it’s clear that the amount of thought that went into this product is indeed high. And, of course, glowing vacuum tubes are always a hit with music lovers and audiophiles alike. The EHF-200 oozes style, from the deep red color of the chassis to the cool blue power meter on the front panel. And thanks to the subwoofer outputs, driving a pair of powered subs is a cakewalk-a valuable feature often overlooked on many integrated amps. Thanks to the drive this amplifier possesses, triode mode rules the day, and so young Springsteen’s voice is buoyant between the 8-foot-tall panels. There’s an unmistakable magic that has always existed between tubes and electrostatic panels that always seems to make the world stop for a while as you drink it in. Springsteen’s “4th of July, Asbury Park (Sandy)” comes through my vintage Acoustat 2+2s with a fervor that I’ve never experienced since having the speakers expertly rebuilt. Lead singer Thom Yorke is firmly anchored in the mix, with some strong guitar bits and a few layers of synthesizers perforating the mix in a highly obtuse but effective and three-dimensional way. The Radiohead classic “High and Dry” instantly reveals the spatial abilities of this amplifier. (The standard EHF-200 model does not have this flexibility and so it is priced slightly less at $11,500.) The MK2 features three single-ended RCA inputs on the rear panel, along with another set on the front panel. MSRP for the MK2 model, which includes preamplifier inputs and a variable-level output, is $14,000 even. Only the highest-quality, tightest-tolerance parts lurk under the hood. It’s instantly obvious that this amplifier is built with a lot of TLC-and built to last more than one lifetime. He has succeeded brilliantly, and if the beautiful casework doesn’t convince you, then remove the bottom cover and gaze at the workmanship. Gibboni says on the Rogers website that one of the company’s goals was “to create an amplifier that your kids will fight over when you’re gone.” And with a lifetime warranty, the EHF 200 MK2 should outlive you. The amp combines solid circuit design and meticulous point-to-point wiring with high-quality current parts, like a massive 1100VA toroidal power transformer and beefy output transformers, to create an instant classic. #ROGERS AUDIONOTE INTEGRATED TUBE AMPLIFIER FULL#This amplifier takes full advantage of company principle Roger Gibboni’s years of engineering expertise in the world of communications and radar technologies. ![]() Put the EHF-200 MK2 from Rogers High Fidelity squarely in the latter camp. Many of today’s tube-amplifier manufacturers follow one of two paths: rebuild a classic from the vintage era (1940s and 1950s) with good success, or embrace more modern technology and tubes to produce an amplifier with the best characteristics of legacy and current thinking. It’s not so easy to build a great tube amplifier, though. There was just something unmistakably yummy about the way acoustic instruments and vocals sounded through my old-school AR speakers that hooked me on tubes forever. ![]() It played music and buzzed like hell, but it sounded fairly good compared to the JVC receiver my parents owned. I did it in high school electronics class. ![]() It’s easy to build a tube amplifier, relatively speaking. ![]()
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